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Pickups remained our familiar De Armond humbuckers. Around 1,450 of these were made between January of 1966 and October of 1968.

A three-way toggle was mounted on the upper treble bout.The F-50 was the bottom of the line, a single cutaway with a single De Armond humbucker pickup, like those on the previous acoustic hybrids, in the neck position.Controls were one volume and one tone control mounted along the edge of the lower treble bout, with black, chrome-topped knobs.These had extended headstocks without the flared top, and the M trapeze tailpiece.The F Series Martin electrics were before my awareness of the diversity of the guitar universe, but I recall the appearance of the GTs, which got to stores in Wisconsin in the summer of ’67.

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Other than the bookmatched cutaways, this was the same as the two-pickup F-55, with the addition of a Bigsby-made Martin vibrato in which the stylized “M” had become a similar “V” shape.